It does not sustain a sitcom series, let alone three. It might make a good sketch (àla The Two Ronnies Society for the Premention of Pispronunciation piece) but the novelty soon wears thin. The whole premise of this show is that an inept, socially awkward character mispronouncing every other word and misquoting phrases is rip-roaringly funny. It’s a sitcom that has been intellectualised beyond its essence in order to justify the hype. There are exceptions: Dean (Kiell Smith-Bynoe) is one of the sane characters, who counters the imbalance of idiots as is Carole (Katy Wix), although she could be considered an idiot for having a one night stand with Stath. Its characters may be idiots (every single one of them, no exceptions), but they’re well-meaning, expertly performed and treated with warmth by Demetriou’s script – even when speaking absolute rubbish.” To quote one of its horde of fans, reviewer Isobel Lewis in The Independent “It’s silly, ludicrous and nonsensical – but a preference for word play and slapstick doesn’t mean the show lacks heart. Stath Lets Flats is not the funniest thing on television. For every reaction there is an equal and opposite reaction. The reaction of many reviewers suggest that it is the “funniest thing on TV in a long time” the “antidote to bland comedy”, “rip-roaringly funny” and “the funniest and most novel comedy currently on British TV “ But to misquote Newton’s Third Law of motion. If you want to watch a cast of accomplished actors talk drivel for half an hour, watch Stath Lets Flats.
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